后来的我们观后感优秀7篇

当观看完一部影视作品后，相信大家的收获肯定不少吧，不妨坐下来好好写写观后感吧。在写观后感之前，可以先参考范文，下面是小编精心为大家整理的后来的我们观后感优秀7篇，希望大家可以喜欢并分享出去。

内容导航

2022后来的我们观后感 篇1《后来的我们》观后感 篇2《后来的我们》观后感 篇3《后来的我们》观后感 篇4后来的我们观后感作文 篇5电影《后来的我们》观后感 篇6电影《后来的我们》观后感 篇7

2022后来的我们观后感 篇1

之后，我总算学会了如何去爱，可惜你，早已远去，消失在人海。

After that, I finally learned how to love, but it's a pity that you have already gone away and disappeared in the sea of people.

是的，年少不知爱，知爱已错过。

Yes, I didn't know love when I was young, and I knew that love had been missed.

茫茫人海中，有多少人相遇相知相爱，有多少人能坚持着最初的那份纯真和心爱的他(她)共度一生。

In the vast sea of people, how many people meet and love each other, and how many people can stick to the original share of innocence and spend their lives with their beloved.

是的，有些人，一旦错过就不再。

Yes, some people will never miss it again.

此刻的我，用文字记录下早已看过并写过的《之后的我们》的感情。

At this moment, I use words to record the feelings of "After Us" that I have already read and written.

未映先火，退票风波，这些好的坏的故事，可能会影响市场，但不会影响共鸣。“前任”“失去”“之后”对于以往拥有但已失去的我们来说是永恒的话题。作为一部电影，《之后》不算经典。最起码在我看来，故事似乎没有讲的很好。

These good and bad stories may affect the market, but will not affect resonance. "Former", "lost" and "after" are eternal topics for us who have owned but lost in the past. As a film, After is not a classic. At least in my opinion, the story doesn't seem to be well told.

关于“情怀”，客观地说，奶茶已经把她想要表达的都说给观众了。情怀这个词，近几年被用烂了。从周星驰的《大话西游》到奶茶的《之后》。有些粉丝反感说："情怀，不应当拿来贩卖，失望了，星爷不再是星爷，奶茶也不再是奶茶了，我们的情怀，就这样廉价么？”虽然，我不曾疯狂迷恋过星爷和奶茶，但他们所讲的，我都懂。与我而言，只可是是想要讲一个之后的“我们”都变了，但“初心”依旧的故事。说“贩卖情怀”未免有些言语过激，毕竟他们以往疯狂迷恋过，有期望，就有失望吧。然而，毕竟我们深处商业社会，金主也是要赚钱的，导演也没有有钱到能够忽略市场的地步。就连一些大导演尚不可能完全忽略市场尊崇内心所想拍电影，我们应当给这些影片多些宽容态度。正如影片中所讲，“之后的我们什么都有了，但却没有了我们”，而正是这种“没有”让以往“拥有”变得如此珍贵。“我最大的遗憾，是你的遗憾与我有关。”但这种遗憾何尝不是最珍贵的呢。

As for "feelings", objectively speaking, Milk Tea has told the audience what she wants to express. The word "feeling" has been used badly in recent years. From Stephen Chow's "A Journey to the West" to "After" of milk tea. Some fans were disgusted and said, "Love should not be sold. Disappointed, Star Ye is no longer Star Ye, and milk tea is no longer milk tea. Is our love so cheap?" Although I have never been crazy about Star Ye and milk tea, I understand what they said. For me, it is just to tell a story that "we" have changed since then, but the "original heart" is still the same. Say "selling feelings" Some words are too extreme. After all, they have been crazy and infatuated in the past. If they have expectations, they will be disappointed. However, after all, in our deep commercial society, the money owners also want to make money, and the directors are not rich enough to ignore the market. Even some big directors can't completely ignore that the market respects what they want to make movies. We should give more tolerance to these movies. As the film said, "We have everything after, but without us", and it is this "absence" that makes the past "possession" so precious. "My biggest regret is that your regret is related to me." But this regret is not the most precious.

聊聊电影本身。刚看完电影的当下，沉浸在失去的悲伤中，整体感觉还算不错的。演技和台词无可挑剔。灯光场景音乐堪称完美，团队精良。

Talk about the movie itself. At the moment after watching the film, I was immersed in the sadness of loss, and I felt pretty good overall. The acting skills and lines are impeccable. The lighting scene and music are perfect and the team is excellent.

田壮壮教师举手投足语气都只是一位为子女操碎心的父亲，在灶台下忙碌的身影不止一次让我想起过年回家父亲的忙碌身影。看完一周，父亲为儿女忙碌的身影还在脑海里回荡。父亲大概也是以这样的心境盼着我们回家的吧？也许此刻的我才更能以一位旁观者的身份，体会平时不太能感受到的那份沉甸甸的父爱。他一面期望我们快些长大懂事，一面又害怕我们长得太快。比较剧中男主，我又何尝不是一个不懂得体贴父亲的女儿。壮壮教师低沉的声音极具魅力，语气略带桀骜，表面漠不关心，内心却时时牵挂。表演极简极奢，增一分则多，减一分不足。或许，这也正是选角导演和演员的厉害之处。每一个主角都在扎扎实实地讲述着周边你我的故事，这样的主角代入感才强，才能引起你我的共鸣。男女主之外的每个小人物主角也立体饱满，猥琐的中年油腻男，可圈可点的性感女邻居，无奈放弃梦想的同伴，表里不一的旧时同学……将我们存在的这个世界讲的立体真实。

Teacher Tian Zhuangzhuang's gestures and gestures are just a father who breaks his heart for his children. The busy figure under the kitchen stove reminds me of my father's busy figure when he comes home for the New Year more than once. After a week's reading, the father's busy figure for his children still reverberated in his mind. My father probably looked forward to our coming home in such a state of mind, didn't he? Maybe now I can feel the heavy fatherly love that I don't usually feel as an onlooker. While he expects us to grow up quickly, he is afraid that we will grow too fast. Compared with the man in the play, I am a daughter who does not know how to be considerate of her father. The strong teacher's deep voice is very charming, with a slightly rebellious tone. He is indifferent on the surface, but always worried about his heart. The performance is extremely simple and extravagant. One point more, one point less. Perhaps, this is also the strong point of casting directors and actors. Each leading role is telling the stories of you and me around you in a down-to-earth manner. Only such leading roles have a strong sense of substitution, can they arouse your and my resonance. Every minor protagonist except the male and female protagonists is also three-dimensional and full. The mean middle-aged oily man, the attractive sexy female neighbor, the companion who has no choice but to give up his dream, and the former classmates who are different in appearance and in truth... make the world we live in three-dimensional reality.

灯光场景的塑造也是我喜欢的感觉。格子房间里面，不足10平方的房间里面，我们能够拥有甜蜜的完美。偌大的豪华住宅里面，只剩下没有了“我们”的失落。远景近景特写全景的切换也运用的惟妙惟肖，在讲故事，它就是我们生活中的故事，是你我的故事。有两处最别致的地方，一处是男女主第一次之后近景拉致远景直至拉出影棚的拍摄场景，一块块木板隔离的空间，我们以为我们在看剧，其实我们都是剧中人。第二处是父亲临终留言让男女主角人生不再灰色，重新上色。一句“在一齐时，不负彼此最好，想要不负此生，很难”将全剧做了画龙点睛的归结，堪称完美。

The lighting scene is also my favorite feeling. In a lattice room, a room less than 10 square meters, we can have sweet perfection. In such a large luxury residence, only the loss of "us" is left. The switchover of the perspective and close-up panorama is also vivid. When telling stories, it is the story of our life, your story and mine. There are two most unique places. One is the shooting scene where the male and female owners first pulled the close shot to the distant view and then pulled out the studio. The space is separated by boards. We thought we were watching the play, but we are all in the play. The second part is the father's dying message, so that the life of the hero and heroine is no longer gray, and re colored. One sentence, "It's best to live up to each other when we are together, and it's hard to live up to this life", sums up the whole play, which is perfect.

然而，可是，拥着这么多极致完美的元素故事似乎却没有我想象当中讲的精致。小晓从刚开始年少不知爱懵懂无知一心只想要留在北京住大房子到最终最终明白爱的真谛，是真爱成熟了这个女孩儿。无奈男主却明白的太晚，明白时已失去。女主因明白而放手，男主因失去而明白，节奏不一致注定结局悲伤。故事是好故事，但整部影片场景切换不自然，情节缺乏连贯性，剧情走势不自然，无疑无奈地成为本片的拉分项和硬伤。回忆与现实插叙的方式，现实和回忆交杂在一齐，本来就比较难表达。现实用灰色，回忆用彩色异于平常的表现手法也容易让观众一头雾水。场景的切换过渡也略显吃力。回忆里火车回家过年和现实中做飞机回家毫无过渡，让人抽离莫名其妙，需得反映几秒。好几次现实回忆的切换都给人这种莫名的抽离感。男女主明明彼此喜欢对方，却一向不挑明，在那个青春萌动的岁月，似乎不是那么合理，毕竟那是一个有爱就会说出来的年纪，哪有那么多顾虑。男女主第一次分手也分的莫名其妙，原因何解？第二次的分手是交代清楚了，但分手之后再次见面，一切的顾虑和误会都能够解释清楚，一切的阻碍都已不再是阻碍的时候，二人却就这样错过了。于我而言，这样牵强地让男女主成为彼此的前任，真的太不合理。毕竟，如果我爱这个

However, it seems that the stories with so many perfect elements are not as exquisite as I imagined. Xiaoxiao, who was ignorant of love at the beginning, only wanted to stay in Beijing to live in a big house, and finally understood the true meaning of love. It was true love that matured the girl. But the male master understood too late, and lost it when he understood. The female leader let go because she understood, the male leader knew because she lost, and the inconsistent rhythm doomed to sad ending. The story is a good story, but the scene switching of the whole film is unnatural, the plot lacks continuity, and the plot trend is unnatural, which undoubtedly becomes the pull item and hard wound of the film. The way of memory and reality interlude, reality and memory are mixed together, which is difficult to express. The reality is in gray, and the memory is in color, which is different from the usual way of expression. The transition of the scene is also a little difficult. In memory, there is no transition between going home by train for the Spring Festival and going home by plane in reality, which is inexplicable and needs to be reflected for a few seconds. Several times the switching of real memories gives people this inexplicable sense of withdrawal. Men and women clearly like each other, but they never make it clear. In that youth, it seemed not so reasonable. After all, it was an age when love would speak out. How could they worry so much. The reason why men and women split up for the first time is inexplicable? The second breakup was clear, but when we met again after the breakup, all the concerns and misunderstandings could be explained clearly. When all the obstacles were no longer obstacles, they missed it. For me, it is unreasonable to let men and women become predecessors of each other. After all, if I love this

男人，我愿意给他成长的机会。丝毫想不清楚，为什么两个彼此相爱且明白对方也爱自我的两个人还有什么阻隔能让两位分开。如果说，小晓要的爱是当初见清的“上九天揽月，下五洋捉鳖”的无畏无惧的爱，那么那个愿意为了小晓要买大房子扎根北京的见清何尝又不是在实现揽月捉鳖的承诺呢？小晓眼中见清的“不懂”，我真的不懂。

Man, I am willing to give him the opportunity to grow. I don't know why two people who love each other and understand that each other loves themselves can be separated from each other. If the love Xiaoxiao wanted was the fearless love of seeing Qing Dynasty, which was "the moon in the sky and the turtle in the sea", then why is it that Jianqing, who is willing to buy a big house to take root in Beijing for Xiaoxiao, is not realizing his promise to catch turtles in the moon? Xiao Xiao sees the clear "don't understand" in her eyes, I really don't understand.

《后来的我们》观后感 篇2

刘若英导演的电影《后来的我们》上映了。没有去看，好像也没有多大的心情去看，时间，金钱都是问题。甚至包括心情。只是闲暇下来的时候，还是看了下大家对这部电影的评论，看了看大家对自己青春年华里的追忆，看了看曾经的我们，有着那些故事。虽然这些故事都与我无关。虽然那些开始的美好跟后来的感慨都是别人的。可是，还是会感慨，好像开始的越唯美，后来结束的就越残忍。

The film "Later Us" directed by Liu Ruoying was released. I didn't go to see it. I don't seem to have much mood to see it. Time and money are all problems. Even the mood. Just in my spare time, I watched everyone's comments on the film, their memories of their youth, and our stories. Although these stories have nothing to do with me. Although those beautiful things at the beginning and later feelings are all others'. However, I still feel that the more beautiful the beginning, the more cruel the end.

好像真的应了这样的一句话，开始的我们爱的有多真，后来分开时的伤害就有多深。昨天跟青聊天，青说删掉聊天记录好好过日子吧。我说，放心吧，不会胡来的。像我这样，开始不像开始，结束不敢结束的懦弱者，好像提开始或者后来，都显得很无力。

It seems that we really should have said that how true we love at the beginning, and how deeply we hurt when we separated later. I chatted with Qing yesterday. Qing said to delete the chat record and live a good life. I said, don't worry. I won't do anything wrong. Like me, the beginning is not like the beginning, and the coward who dare not end the end seems to be powerless to mention the beginning or the end.

如果说，故事的开始必须很唯美的话，我觉得我自己的故事好像真的有些悲伤。初次的见面定在了医院里，一个充满生死别离的和刺鼻的消毒水味道的地方。如今，如果说，还有什么事是让我想起来很温馨的话，那大概就是医院楼道里的那个拥抱了吧。长这么大，第一次跟一个男人拥抱，很温暖，很美好。

If the beginning of the story must be beautiful, I think my own story seems really sad. The first meeting was in the hospital, a place full of life and death separation and pungent smell of disinfectant. Now, if there is anything that makes me feel warm, it is probably the hug in the hospital corridor. It's my first time to embrace a man when I'm so big. It's warm and beautiful.

后来的我们，依旧在一起。吵吵闹闹。如果说，还有什么是我比大家值得骄傲的话，那就应该是我们的故事还在进行着吧。虽然，我不知道，如果他们的故事也一直进行着的话，会不会跟我的一样，变得平淡无奇变得索然无味。

Later, we were still together. Make a noise. If there is anything that I am more proud of than others, it should be that our story is still going on. Although, I don't know if their stories will become as insipid as mine if they have been going on all the time.

关于别人的故事，曾经的或者后来的，都是唯美中带着遗憾。关于自己的故事，曾经的或者现在的，都凌乱中带着坚持。我不知道究竟哪一种故事比较感人，但唯愿，曾经的我们都能拥有美好的回忆，以后的我们都可以赢得灿烂明天！

The stories about others, once or later, are aesthetically beautiful with regret. Stories about yourself, past or present, are messy with persistence. I don't know which kind of story is more touching, but I only hope that we can all have good memories once, and we can all win a brilliant tomorrow in the future!

《后来的我们》观后感 篇3

刚看了电影后来的我们，好几次戳中自己的泪点。庆幸自己没有去电影院看，不然走出电影院的时候怕有点尴尬。

After watching the film, we poked our tears several times. I'm glad I didn't go to the cinema, otherwise I would be a little embarrassed when I walked out of the cinema.

老实说，男女主角的名字我倒是不记得了（也懒得去百度，就这么写下去了），有几处情节倒是深深打动我。

To be honest, I don't remember the names of the heroes and heroines (I'm too lazy to go to Baidu to write them down), and I was deeply moved by several plots.

女主和别人恋爱的时候，男主问她，他对你好吗，他会为你上九天揽月，下五洋捉鳖吗？后来，男主从拘留所出来的时候，女主问他，你会为我上九天揽月，下五洋捉鳖吗？虽然女主不太记得整句话，还是男主给补充完整的，那一刻，真的很美好。

When the woman was in love with someone else, the man asked her, "Is he good to you? Will he go up to the moon and catch turtles for you?"? Later, when the man came out of the detention center, the woman asked him, "Will you go to the moon for me and catch turtles in the five seas?"? Although the woman didn't remember the whole sentence, the man gave her a complete supplement. At that moment, it was really beautiful.

他们热恋的时候，男主说了那个游戏的概念，女主问如果游戏里男主人公找不到女主人公，会怎么样。男主回答：那么他的世界就变成了黑白的。这也是为什么，多年后，两人相见的时候，电影画面是黑白的了。

When they were in love, the man said the concept of the game. The woman asked what would happen if the man could not find the heroine in the game. The man replied: Then his world will become black and white. This is why many years later, when the two met, the film was black and white.

若干年后，再次相见，男主接到孩子视频电话，说想看爸爸左边右边厕所的时候，真的尴尬。这么小的孩子会好奇这些？天真的孩子在乎的应该是爸爸有没有给自己带什么玩具吧，酒店房间什么样子，有没有别人，应该是孩子妈妈想知道的吧。

A few years later, when we met again, the man received a video call from the child saying that he wanted to see his father's left and right toilets. He was really embarrassed. Such a small child would be curious about this? The innocent child should care about whether his father brings him any toys, what the hotel room looks like, and whether there are others. It should be the child's mother who wants to know.

其实，男主和女主有那么几次机会可以重新在一起，一次是一个在地铁里一个在地铁外，还有一次是男主买了房子想要爸爸和女主一起搬进去住的时候。那么多的如果，但如果还是停留在假设，然后就没有然后了。

In fact, there are several opportunities for male and female owners to get together again. One is in the subway, the other is outside the subway, and the other is when the male owner buys a house and wants his father and female owner to move in together. There are so many ifs, but if they stay on the assumption, then there will be no then.

《后来的我们》观后感 篇4

我们

We

小学时候的我们傻乎乎懵懂不谙世事；初中的我们好奇心涌动青春期萌动；高中的我们对学习有冲劲对友情有持心对感情有憧憬；大学的我们明白了社会的许多残酷性明白了有舍才有得明白了所有感情都是对等的。

When we were in primary school, we were stupid and ignorant; In junior high school, our curiosity surges into puberty; In high school, we have a passion for learning, a passion for friendship, and a longing for affection; We in the university have learned a lot about the cruelty of the society. Only when we are willing can we understand that all feelings are equal.

青春年少的我们憧憬与爱的人在乎的朋友去驻足碧海蓝天，去看落日疏散。身处于城市中我们会追逐名利，日子久了，会觉得压力大的喘但是气，厌恶城市中的尾气排放城市的喧嚣，想环游世界想养一只柴犬安安稳稳感受着幸福。

As young people, we look forward to stopping at the blue sea and sky with friends who care about our loved ones to see the sunset evacuation. Being in the city, we will pursue fame and wealth. After a long time, we will feel heavy pressure, and hate the noise of the city with exhaust emissions. We want to travel around the world and raise a firewood dog to feel safe and happy.

人生的每个阶段会让你从“我”转成“我们”，再从“我们”转成“我“，反反复复，复复杂杂。到了之后也就明明白白，透透彻彻了。

Each stage of your life will make you change from "I" to "we", and then from "we" to "I", which is complex and complicated. After that, it will be clear and thorough.

之后

after

她们说《之后》最后走到了《之后的我们》，4月28日将上映的这部电影，让所有拥有故事的人迫不及待的去观情节听心声望过去填自我。

They said that "After" finally came to "After Us". This film, which will be released on April 28, makes all people who have stories can't wait to watch the plot and listen to their reputation to fill themselves in.

《之后的我们》像所有青春剧那般逃但是“错过”避免不了遗憾，它仿佛很普通，却依旧牵引着所有人怀着憧憬。有人说“这辈子，最怕突然听懂一首歌”

We After escaped like all youth dramas, but "missing" cannot avoid regret. It seems ordinary, but it still leads everyone to have a vision. Someone said, "In my life, I'm afraid of suddenly understanding a song."

人生中的多数时间，常常在想着：“如果我当初那样做了，之后会如何？”“我们此刻关系这么好，之后我们感情会如何发展？”等一系列我们并不明白会如何发展的“之后”。

Most of the time in life, I often think: "If I had done that, what would happen later?" "We have such a good relationship at the moment, how will our relationship develop in the future?" After a series of "after" we don't know how to develop.

我们幻想着无数个“之后”，却依旧随着心发展。

We imagine innumerable "afters", but they still develop with the heart.

之后的我们

After us

电影里，一个问“如果当时你没走，之后的我们会不会不一样”，一个说“如果当时你上了地铁，我会跟你一辈子”

In the movie, one asks "If you didn't leave at that time, would we be different later?", and the other says "If you were on the subway, I would stay with you forever."

每段感情温柔、温暖的时候总是甜蜜总是让对方感动的的起一身鸡皮疙瘩。我们沉浸于恋爱的甜蜜期，日子久了，会出现不确定、排他性、亲密性、稳定性不同的状态。

When each relationship is tender and warm, it is always sweet and always makes the other person moved with goose bumps. We are immersed in the sweet period of love. After a long time, there will be different states of uncertainty, exclusiveness, intimacy and stability.

很多人羡慕张若昀、唐艺昕的感情，有人说：“她们的一点一滴都甜过了偶像剧”；也有很多人羡慕邓超、孙俪的感情，日常的互怼却在举止投足中都能腻死人；还有人羡慕陈晓、陈妍希的感情，说这才是感情最完美的样貌。

Many people envy the feelings of Zhang Ruoyun and Tang Yixin. Some people say: "Their every bit is sweeter than the idol drama"; Many people admire the feelings of Deng Chao and Sun Li, but daily mutual hatred can be boring in their behavior; Others envy Chen Xiao and Chen Yanxi's feelings, saying that this is the most perfect appearance of their feelings.

有个朋友C在不久前谈了恋爱，他的发糖是突如其来，惊讶了周边的朋友。C渐渐的习惯了这种身边有个人在的感觉，她们幻想过安稳细碎绵长的未来，他们也想做对方那个温柔万仗的人。只是爱的匆匆，分的也匆匆，或许是因为地域问题或许是因为家庭问题亦或者是喜欢的太浅。C有过一段日子的颓废，只但是他依旧把这一次当做年岁辗转中的一次幸事。‘你我茶后笑谈，不算错付冬春秋夏’。

A friend C fell in love not long ago. His hair candy came out of the blue and surprised his friends around. C gradually got used to the feeling of having a person around. They dreamed of a stable, thin and long future, and they also wanted to be the gentle people of each other. It's just that love is hastily divided, perhaps because of regional problems, perhaps because of family problems, or because I like too little. C had a period of decadence, but he still regarded this time as a blessing in his years‘ You and I laugh after tea, and don't forget to pay for winter, spring, autumn and summer '.

回忆我们共同，走过的曲折。是那些带我们，来到了这一刻。

Recall the twists and turns we have gone through together. It is those who bring us to this moment.

让珍贵的人生，有失有得。用新的幸福，把遗憾包着。

Let the precious life have its gains and losses. Wrap up your regrets with new happiness.

就这么朝着，未来前进了。——《之后的我们》

In this way, the future is moving forward—— We After

后来的我们观后感作文 篇5

《后来的我们》这几天刷爆了朋友圈，“这么好看吗？”怀着好奇的心点开了视频……

这部影片是由女主和井柏然主演的，讲述的是两个年轻的北漂十年时间从相识相恋、相知相爱、分手错过、再到重逢最后正式的告别的一个悲剧爱情故事。他们经历过在隔板房中两个人吃着一碗泡面的简单幸福，经历过一起在地下室卖碟片的快乐时光，看到这里原以为结局会是会苦尽甘来，然后幸福度余生。然而他们却渐渐变得陌生 www.t259.net 起来，不再交流，不再相互关心，不再一起开心的吃着同一碗泡面。小晓离开了，这时见清才着急的追了出去，直到地铁站，他找到了小晓却没有挽留而是目送着她离开……（也许当时的他以为小晓是因为嫌弃自己没有大房子，没有北京户口，没有稳定的收入才放弃这段感情）后来他努力工作，拼力完成自己的游戏编程，终于他成功了。他以为这时候小晓会答应跟他回家，然而小晓却说：“我已经不是那个时候的我了”就这样他们又一次擦肩而过……是的他们拥有了当初想要的生活可为什么结局仍旧是分道扬镳？看到这里我有些心酸……

再后来渐渐成熟的他们再次重逢，他们一起回忆着曾经的幸福时光，可以看出彼此明明还深爱着对方，有好多好多爱想说出口，却不能说，因为这时的见清已身为人父人夫。他很想为此时无依无靠的小晓兑现当初“上九天揽月，下五洋捉鳖”的承诺，可是却没有任何的资格，小晓也含着泪说“Imissyou”并解释这个“miss”是错过的意思……

在简陋的的隔板房里，只要能在一起感觉就是最幸福的，可爱情终究没有成为婚姻，承诺亦然成为了大海中的一粒沙。当初在一起以为就是一辈子，可是爱着爱着两个人却走散了，牵着的手不经意间就分开了……爱情有时真的特别脆弱，它经不起不在乎，经不起任性，有些人错过了才后悔了，再重逢时依然爱着却不能爱。见清问小晓：“如果那时候你没有走，后来的我们会不会不一样？”小晓说：“如果那天你有勇气就上了地铁，那我会跟你一辈子”如果没有如果，错过了就是错过了，有些人离开了就不会再回头。正因为当时的你没有挽留，我也没有回头，所以才造成了今天不可能的我们。现实生活中有多少撕破脸皮的情侣老死不相往来，就像两条平行线，永远不再有交集和重合。相恋时小晓问见清在他的游戏里如果伊恩永远找不到凯莉，那会怎样？见清说，伊恩的世界从此便没有了色彩。后来的见清事业有成，却弄丢了能带给他色彩的小晓。所以我感觉见清后来的婚姻是不幸福的，即便有一个很可爱的儿子……因为没有色彩的人生是没有滋味的……

我们往往用力的寻找幸福，却不曾回头看看，其实幸福往往就在我们身边，不要等到失去了错过了才明白了后悔了，爱的时候就好好爱，不要辜负彼此的深情，不要总认为有钱了才能给彼此幸福，也许某一天你真的成功了有钱了，却成了那个没有资格为她“上九天揽月，下五洋捉鳖”的人，爱情不易，且行且珍惜……

电影《后来的我们》观后感 篇6

最害怕在某个年龄的某一天听懂了一首歌曲，因为那一刻往往已经物是人非、曲终人散。为什么会泣不成声呢，大概是想起了一些往事吧，同样一首歌，初识不知曲中意，再听已是曲中人，这大概就是音乐的魅力吧。

I am most afraid of understanding a song one day at a certain age, because at that moment things have changed and the song ends. Why do you cry so much? Maybe you think of something in the past. The same song, you know it for the first time, is already the person in the song, which is probably the charm of music.

前段时间，有一个电影叫《后来的我们》，有人说，这个电影很烂。可是每个电影和歌曲一样，在它们背后，都有属于自己的小故事，看完电影有感触的人，自己也是有故事的人。

Some time ago, there was a film called "Later We". Some people said that the film was terrible. But like every film and song, behind them, there are stories of their own. Those who feel the feelings after watching the film are also people who have stories.

《后来的我们》那是一个爱情故事。十年前的见清和小晓在火车上偶然相遇，两人怀着共同的梦想，开启了他们奋斗的旅程，并开始了一段相聚相离的感情之路。那时候的见清和小晓还开心能遇见彼此，当时的他们认为，就算什么都不好，只要一看到对方，就会感觉有了打拼的动力，那时候的他们，对未来充满幻想，想把全世界最好的东西都给对方，这大概就是最纯真的爱情吧！这是十年前的见清和小晓，那时候的他们“什么都没有，只有我们”。

Later We That is a love story. Ten years ago, Jianqing and Xiaoxiao met by chance on the train. With a common dream, they started their journey of struggle and began a love journey to meet and leave each other. At that time, Jianqing and Xiaoxiao were happy to meet each other. At that time, they thought that even if nothing was good, as long as they saw each other, they would feel motivated to fight. At that time, they were full of dreams about the future and wanted to give each other the best things in the world. This was probably the most pure love! This was Jianqing and Xiaoxiao ten years ago, when they "had nothing but us".

十年后见清和小晓在飞机上重逢了，命运似乎是个轮回，在一次次的偶然下平行交叉，再交叉平行，这时候的见清和小晓，“什么都有了”却再也没有了我们。不管当时的承诺和誓言有多少，我相信当时的你们所说出来的那些承诺和誓言都是真的，只是时间长了，有些东西渐渐消失了，也变了。就像后来的我们依然走着，只是不再肩并肩了。后来的我们成了最熟悉的陌生人，你有时会想着，早知道是这样的结局，我才不要与他相遇，可是你却从未后悔过遇到他，却很感激他给你带来的回忆，无论在任何时刻遇见的那个人其实都是缘分。

Ten years later, I saw Qing and Xiao Xiao reunited on the plane. It seemed that fate was a cycle. They crossed in parallel and then again in parallel by chance. At this time, I saw Qing and Xiao Xiao, but "everything" was gone. No matter how many promises and vows were made at that time, I believe that those promises and vows you said at that time were true, but over time, some things gradually disappeared and changed. Just like later, we still walk, but no longer side by side. Later, we became the most familiar strangers. You sometimes think that if you knew this was the end, I would not meet him, but you never regret meeting him, but you are grateful for the memories he brought to you. No matter who you meet at any time, it is fate.

当然每一个出现在我们生命中的人，也都是有原因的。

Of course, every person who appears in our life has a reason.

或许他的到来是给你一份青春的礼物，或许是教会你什么是成长。

Perhaps his arrival is a gift of youth for you, or a way to teach you what growth is.

青春里的爱情充满着心跳、脸红、紧张，不知所措，只有多年后你才会发现，那才是最美好的爱情。

Love in youth is full of heartbeat, blush, tension, and bewilderment. Only after many years will you find that it is the best love.

无论这段故事的结局如何，那个人我们都深深的放在心里了。

No matter what the ending of this story is, that person is deeply in our hearts.

其实你应该感谢你生命中那些平淡无奇的陌生人，至少他们那一秒是属于你的。

In fact, you should thank those ordinary strangers in your life. At least they belong to you at that moment.

这个小故事告诉我们：不是所有恋爱都能走到最后，即使你们再相爱，再喜欢。现在的我们还不够成熟，不够理智，还很清纯、也很无知，所以我们现在还没有资格来谈情说爱。早恋是一枚苦果，在不该品尝的年龄你过早的摘下了它，注定那会是一个无言的结局。作为一名学生，学习才是最重要的。因为青春属于我们的时间是有限的，我们要把握青春，做最优秀的自己。在适当的季节，我们一定会遇到最好的他。

This little story tells us that not all love can come to the end, even if you love and like each other again. Now we are not mature, rational, pure and ignorant, so we are not qualified to talk about love. Puppy love is a bitter fruit, you picked it too early at an age when you shouldn't taste it, and it is doomed to be a wordless ending. As a student, learning is the most important. Because the time that youth belongs to us is limited, we should grasp youth and be the best ourselves. In the right season, we will meet the best of him.

虽然，曲终人终究还是会散，但我们的青春却没有遗憾！

Although, Qu Zhong will still leave after all, our youth has no regrets!

电影《后来的我们》观后感 篇7

一直以为，来自台湾的奶茶刘若英会把自己的长片导演处女作拍成小清新青春片。因为无论是其他演员转行导演的先例，还是台湾本土在青春片上的优势，这种选择都顺理成章。然而，《后来的我们》还真真真真就不是青春片，而是带有很浓的现实色彩的爱情片。故事发生地是北京、两个主角均是东北人，电影通篇都是很真实很准确的北方气息。为此，刘若英在开拍前做了大量的实地考察和调研工作，在细节上一丁点儿都不敢疏忽。

I always thought that Liu Ruoying, a milk tea from Taiwan, would make her debut feature film director into a small fresh youth film. Because whether it is the precedent for other actors to become directors or the advantage of Taiwan in youth films, this choice is reasonable. However, "Later We" is really not a youth film, but a romantic film with a strong realistic color. The place where the story takes place is Beijing. The two protagonists are both from the Northeast. The whole film is very true and accurate. For this reason, Liu Ruoying did a lot of field investigation and research before shooting, and did not dare to neglect the details at all.

可能有人会说，井柏然和周冬雨多青春啊，《后来的我们》怎么就不是青春片呢？因为青春片的核心是描绘青春群像，而本片的核心则是描写主人公林见清（井柏然饰）和方小晓（周冬雨饰）之间的完整的爱情脉络。虽然这个爱情故事里包含了青春时期的心理，但却远远不止于此。刘若英所描绘的这段爱情，远比青春要宽得多。她还加入了社会、家庭、事业、生存，甚至价值讨论。这一点和张艾嘉很像。估计是合作多次后，奶茶从嘉姐那边学到了不少做电影的经验吧。

Some people may say that Jing Boran and Zhou Dongyu are so young. Why is "Later Us" not a youth film? Because the core of the youth film is to describe the youth images, while the core of this film is to describe the complete love between the protagonists Lin Jianqing (Jing Boran) and Fang Xiaoxiao (Zhou Dongyu). Although this love story contains the psychology of youth, it is far more than that. The love described by Liu Ruoying is much wider than youth. She also joined in the discussion of society, family, career, survival and even value. This is very similar to Zhang Aijia. It is estimated that after many cooperations, Milk Tea has learned a lot from Sister Jia about making movies.

从角色设定上来看，见清和小晓就是两个普通的北漂青年。两个普通年轻人的爱情，有什么看头呢？原来《后来的我们》一直在扣着影片的主题——后来。没错，刘若英可不仅仅是从自己的成名曲借来了一个名字，而是借来了一个影像主题。为了诠释“后来”这两个字，影片在还没有介绍两位主人公的时候，就用黑白画面推出了两人十年后的偶遇。在观众还不知道这俩人十年前是什么样子的时候，就先抛给了一个十年后，而且还是黑白色的十年后。导致囤儿在看他们彩色日子的时候，分分秒秒都惦记着那个黑白色的“后来”啊。

From the perspective of role setting, Jian Qing and Xiao Xiao are two ordinary Beipiao youths. What is the value of the love between two ordinary young people? The original "Later We" has been the theme of the film - later. Yes, Liu Ruoying not only borrowed a name from her famous song, but also borrowed a video theme. In order to interpret the word "later", the film used black and white pictures to introduce the two heroes' encounter ten years later before introducing them. Before the audience knew what they were like ten years ago, they first threw it to a decade later, and it was still a decade later in black and white. As a result, when watching their colorful days, Duner always thinks about the black and white "later" every second.

即便是彩色段落，影片的情感触点也是接二连三地爆出来。刘若英很懂北漂困境，并且将其拍摄地极为细腻。比如见清在面对小晓时的自卑、无措，在追逐梦想时的急切、不甘，都是每个出外打拼的年轻人所亲身感受过的。还比如因为社会的压力，小晓对待婚姻的理念在某些时间段里是不太正确的，但最终还是被见清的真诚带回了正轨。刘若英镜头下的主角既没有主角光环也不完美，而是和观众一样，感情观需要随着人生的延续而变化、成长。这种不完美的真实感，被她准确地呈现在了银幕上。见清和小晓虽然也会强颜欢笑地安慰自己很幸福，但其实内心的那份孤独，每个观众都看见了。

Even if it is color paragraphs, the emotional touch points of the film also burst out one after another. Liu Ruoying knows the difficulties of Beipiao very well, and takes it very carefully. For example, every young man who goes out to work has experienced the self abasement and helplessness in the face of Xiaoxiao and the eagerness and unwillingness in pursuing his dream. For example, because of the social pressure, Xiao Xiao's concept of marriage was not quite correct in some periods of time, but it was finally brought back to the right track by his sincerity. The protagonist under Liu Ruoying's lens has neither the aura of the protagonist nor perfection, but, like the audience, the emotional outlook needs to change and grow with the continuation of life. This imperfect reality was accurately presented on the screen by her. Although seeing Qing and Xiao Xiao, they would also try to comfort themselves with a smile, but in fact, every audience saw the loneliness in their hearts.

经历过孤独的人在银幕上看到了孤独投射的阴影面积，还怎么忍住眼泪不流呢？人生，只有经过了，才会留下属于自己的甜蜜回忆和刻骨遗憾。纯与杂、浪漫与感伤、爱情甜与现实苦，奶茶的第一部导演作品就能做到不去妄做判断，而是静静描绘，给观众空间去消化和品味，真是令人惊喜连连，好生欣慰。

People who have experienced loneliness see the shadow area projected by loneliness on the screen, how can they hold back their tears? Life, only after, will leave their own sweet memories and unforgettable regret. Pure and miscellaneous, romantic and sentimental, love sweet and reality bitter, the first director's work of milk tea can do not make judgments, but quietly depict, giving the audience space to digest and taste, which is really surprising and gratifying.

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